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This color is a rich brown, similar, perhaps, to the color of an acorn. This subtle color has elements of red and amber. This was the darkest color of the combinations of recipe and alloy that we tested. The subtle color has the appearance of leather. After cleaning with pumice, the tiles were covered with daikon mash, then warmed in the relevant solutions for about a half hour.Īs above. The samples on these two pages were handled in the same manner. The top half has a su-tan-pan foundation and the lower half has a niage foundation. The ryusando solution was brushed on at room temperature and allowed to dry naturally. We recommend making tests on small pieces like this before you mix up large quantities of patina solutions or devote a lot of time coloring a large piece. Changes in temperature, length of exposure, climate, and strength of the chemicals wilt all influence colors.Įxperiments like this are the best way to develop an understanding of the solutions that will prepare you to apply the patinas on your finished work. These samples include no solder, and because solder is a different alloy, it will react to the solutions differently. Textures will change the color, and cast metal has a different structure that can also influence color. Our tests were made on smooth, rolled metal. It is important to understand that many variables will affect patina results. In an effort to insure that nothing was lost or confused in translation, the formulas given here were tested on a wide range of alloys.
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